Extreme macro close-up of an oxidized silver ring surface showing geological hammer-mark texture and an off-center raw diamond catching light

Forge Studio — New York

Tension sculpted
into permanence.

Each piece hand-finished with deliberate asymmetry — oxidized surfaces, stones set off-axis like they're resisting the setting itself.

See it made
Spring Collection 20266 Pieces

Spring 2026

Six pieces.
One statement.

Each piece exists in an edition of twelve. Click any work to see it worn, unworn, and in process.

All pieces available in the full series

Jeweler's hands working at a forge, red-hot metal on an anvil, hammer mid-strike, sparks trailing in a dark atelier workshop

The Process

Every mark is
a decision.

No CNC. No casting from wax. Each piece begins at the forge — heated, beaten, cooled, and beaten again until the metal remembers the shape we intended.

01
Forging Ingot to form at 900°C
02
Texturing Hammer marks, reticulation, or acid etch
03
Stone setting Off-axis, by intention
04
Oxidization Liver of sulfur patina, hand-stopped
Commission a Custom Piece

Atelier — New York

Est. 2019

12max

Pieces per edition

900°C

Forging temperature

40+hrs

Per piece, minimum

100%

Hand-finished

Worn by

People who wear
their convictions.

"The Rift Cuff held its own against a bare collarbone and a strobe light. That's not jewelry — that's architecture."

Margaux Delacroix, Senior Fashion Editor at Numéro Berlin, portrait

Margaux Delacroix

Senior Fashion Editor, Numéro Berlin

"I pulled the Seam Earrings for a shoot where everything else was black. They were the only thing with an opinion."

Reyna Okafor, editorial stylist based in New York, portrait

Reyna Okafor

Stylist — Editorial & Commercial, New York

"I gave my partner the Fault Ring instead of flowers. She wore it to a gallery opening. Four people asked where it was from."

Theo Nakamura, principal architect, portrait in architectural setting

Theo Nakamura

Principal Architect, Studio Nakamura NYC

"Wearing the Tension Collar to a show opening felt like bringing a collaborator. It has a point of view."

Isabelle Voss, Creative Director at Voss Studio Berlin, portrait

Isabelle Voss

Creative Director, Voss Studio Berlin

"The asymmetry isn't a flaw. It's the whole point. Forge understands that perfection is a kind of violence."

Darius Afolabi, photographer and art director based in Lagos and New York, portrait

Darius Afolabi

Photographer & Art Director, Lagos/New York

"Three editorial shoots. Same Void Brooch. Different publications. Nobody noticed it was the same piece — it transformed each time."

Camille Hartmann, stylist for W Magazine, Dazed and AnOther, portrait

Camille Hartmann

Stylist — W Magazine, Dazed, AnOther

"The Rift Cuff held its own against a bare collarbone and a strobe light. That's not jewelry — that's architecture."

Margaux Delacroix, Senior Fashion Editor at Numéro Berlin, portrait

Margaux Delacroix

Senior Fashion Editor, Numéro Berlin

"I pulled the Seam Earrings for a shoot where everything else was black. They were the only thing with an opinion."

Reyna Okafor, editorial stylist based in New York, portrait

Reyna Okafor

Stylist — Editorial & Commercial, New York

"I gave my partner the Fault Ring instead of flowers. She wore it to a gallery opening. Four people asked where it was from."

Theo Nakamura, principal architect, portrait in architectural setting

Theo Nakamura

Principal Architect, Studio Nakamura NYC

"Wearing the Tension Collar to a show opening felt like bringing a collaborator. It has a point of view."

Isabelle Voss, Creative Director at Voss Studio Berlin, portrait

Isabelle Voss

Creative Director, Voss Studio Berlin

"The asymmetry isn't a flaw. It's the whole point. Forge understands that perfection is a kind of violence."

Darius Afolabi, photographer and art director based in Lagos and New York, portrait

Darius Afolabi

Photographer & Art Director, Lagos/New York

"Three editorial shoots. Same Void Brooch. Different publications. Nobody noticed it was the same piece — it transformed each time."

Camille Hartmann, stylist for W Magazine, Dazed and AnOther, portrait

Camille Hartmann

Stylist — W Magazine, Dazed, AnOther

"Wearing the Tension Collar to a show opening felt like bringing a collaborator. It has a point of view."

Isabelle Voss, Creative Director at Voss Studio Berlin, portrait

Isabelle Voss

Creative Director, Voss Studio Berlin

"The asymmetry isn't a flaw. It's the whole point. Forge understands that perfection is a kind of violence."

Darius Afolabi, photographer and art director based in Lagos and New York, portrait

Darius Afolabi

Photographer & Art Director, Lagos/New York

"Three editorial shoots. Same Void Brooch. Different publications. Nobody noticed it was the same piece — it transformed each time."

Camille Hartmann, stylist for W Magazine, Dazed and AnOther, portrait

Camille Hartmann

Stylist — W Magazine, Dazed, AnOther

"The Rift Cuff held its own against a bare collarbone and a strobe light. That's not jewelry — that's architecture."

Margaux Delacroix, Senior Fashion Editor at Numéro Berlin, portrait

Margaux Delacroix

Senior Fashion Editor, Numéro Berlin

"I pulled the Seam Earrings for a shoot where everything else was black. They were the only thing with an opinion."

Reyna Okafor, editorial stylist based in New York, portrait

Reyna Okafor

Stylist — Editorial & Commercial, New York

"I gave my partner the Fault Ring instead of flowers. She wore it to a gallery opening. Four people asked where it was from."

Theo Nakamura, principal architect, portrait in architectural setting

Theo Nakamura

Principal Architect, Studio Nakamura NYC

"Wearing the Tension Collar to a show opening felt like bringing a collaborator. It has a point of view."

Isabelle Voss, Creative Director at Voss Studio Berlin, portrait

Isabelle Voss

Creative Director, Voss Studio Berlin

"The asymmetry isn't a flaw. It's the whole point. Forge understands that perfection is a kind of violence."

Darius Afolabi, photographer and art director based in Lagos and New York, portrait

Darius Afolabi

Photographer & Art Director, Lagos/New York

"Three editorial shoots. Same Void Brooch. Different publications. Nobody noticed it was the same piece — it transformed each time."

Camille Hartmann, stylist for W Magazine, Dazed and AnOther, portrait

Camille Hartmann

Stylist — W Magazine, Dazed, AnOther

"The Rift Cuff held its own against a bare collarbone and a strobe light. That's not jewelry — that's architecture."

Margaux Delacroix, Senior Fashion Editor at Numéro Berlin, portrait

Margaux Delacroix

Senior Fashion Editor, Numéro Berlin

"I pulled the Seam Earrings for a shoot where everything else was black. They were the only thing with an opinion."

Reyna Okafor, editorial stylist based in New York, portrait

Reyna Okafor

Stylist — Editorial & Commercial, New York

"I gave my partner the Fault Ring instead of flowers. She wore it to a gallery opening. Four people asked where it was from."

Theo Nakamura, principal architect, portrait in architectural setting

Theo Nakamura

Principal Architect, Studio Nakamura NYC

"The asymmetry isn't a flaw.
It's the whole point."

Darius Afolabi — Photographer, Lagos/New York

The Full Series

Not an accumulation.
A single statement.

Six pieces designed to coexist — each complete alone, each more itself in company. Worn together, they read as a coherent vocabulary.

Fault Ring I — oxidized sterling silver with raw diamond, unworn on dark surface

Fault Ring I

$1,840

Rift Cuff — blackened bronze open-form cuff with tourmaline sliver

Rift Cuff

$2,200

Seam Earrings — reticulated silver with leaning garnet bezel set

Seam Earrings

$960

Tension Collar — forged iron neckpiece with pyrite cluster held by compression

Tension Collar

$3,100

Strata Band — layered gold fill ring with offset sapphire baguette

Strata Band

$1,340

Void Brooch — oxidized copper frame with rough emerald floating on single pin

Void Brooch

$760

Elevate to the
Full Series

Reserve all six pieces — Fault Ring, Rift Cuff, Seam Earrings, Tension Collar, Strata Band, and Void Brooch — as a single sculptural series. Packaged in hand-stitched archival boxes, with a numbered provenance card signed by the maker.

  • All six pieces, Spring 2026 edition
  • Hand-stitched archival packaging
  • Signed, numbered provenance card
  • Free white-glove delivery
  • Priority access to future editions
Commission a Custom Piece instead

Individual total

$10,200

Full series price

$9,200

Save $1,000+ archival packaging

Edition of 12 · 7 remaining

"Each piece is complete. Together, they are unavoidable."

Forge Studio — New York, 2026